Honoring memory, provenance and safeguarding design history and building relationships from structural blindness since 1999. Evidence-based, covenantal work in exile. Resisting distortion. TIME Invention of the Year

As Founding Principal, Curator & Chief Information Security Officer of the WTC Covenant Archive, my responsibility is to safeguard the covenental memory and service electricity of design and invention by documenting cultural heritage, protecting intellectual property from erasure, and exposing revisionist tactics that weaponize harassment, ideological smear, guardianship abuse and identity theft against designers. I oversee the curation of artifacts, filings, and testimonies that reveal how covenantal creativity is systematically targeted, ensuring that both the creative works and the abusive strategies used against their makers are preserved for future accountability and understanding. Every company must recognize the emotional and covenantal connectors that bind audience to product. My work as a Routine-Centered Designer is dedicated to uncovering these connectors, not to exploit them, but to align business strategy with human dignity and the rhythms of daily life. This approach has strengthened the ties between products, brands, and audiences in breakthrough experiences known to billions. I humanize the design process by translating unmet human needs into meaningful product strategies. Through synthesis I conduct research, design diagrams, and build prototypes that explore the connection between experience and meaning as a scientific process. This practice allows me to shift thinking toward strategies rooted in integrity, accessibility, and covenantal stewardship, ensuring that design work resonates on a visceral level by attending to the ways people truly live their lives. My work is qualitative, evidence-based, and covenant-driven. It acts as a rebuke to algorithmic distortion, limbic capitalism, and the commodification of attention. Design, in my practice, is not manipulation, it is restoration. It is resistance to digital psychological operations. Any attempt to redefine that will not be treated graciously, because the integrity of design history and cultural memory is not negotiable.